Monday, June 18, 2007
Califone in DC, Bitter Tears and Cardinal Sins
Mannequins wearing animal skulls menace the upstairs bar, and the bartender, bright red hair, big slash of candy-red lips and green eyes and what'll you have, a pretty apocalypse. Guinness, red wine. We sip and wait for the show. Rooms of old velvet furniture, obligatory rock posters. The drinking, white, young college-age elite begin to gather along with the music nerds, order cocktails. We talk to Joe downstairs, setting up the merch, about solo projects, Jim's new film/music project, Interkosmos, and future tours, records, Yoko Ono at the Pitchfork Festival, Slint's Spiderland. Head back up for another beer and watch Jim play pool with Amy, who will guest at cello for the evening. These United States finally starts the show. Decent Americana, but we head out, where Tim is relaxing, smoking. We catch up. The band's future, other projects, etc. We talk about school, heat, humidity. Amy bums a cigarette from Tim, rolls it. A lost traveler asks for cab fare, and we give her what we can. Tim blesses her with water for dopamine, hope for light. She is big-eyed and missing and kind in that desperate way. She asks us to pray for her upcoming move. This is mine. Tim shows us pictures of his beautiful son. I talk about my two. Ben comes up, asks Tim something, leaves. Then Tim excuses himself to get ready for their set.
We hang out a little longer outside, but go in to hear Bitter Tears. Hammer-subtle irony. They're boisterous, musically random and literate and funny. (I recall Oingo Boingo in costumes marching and blaring up Telegraph Ave. in Berkeley for some reason, but this is darker.) Their instruments are horns, upright bass, drums, guitar, and Weimar irreverence mixed with country prank. They wear prom dresses or bunny ears and lipstick like the bartenders', but smeared and sweaty. The crowd laughs and cheers, but avoids, otherwise, interaction. Too bad.
Finally, Califone opens with "Golden Ass," while the defrocked Bitter Tears horn section ignites around the fuse of guitars and percussion, the pulsing vocals. After the song, Tim introduces their guests; he says he went to seminary school with them in Chicago, and he reminisces in some kind of hieratic code, a little jokey, a little edgy. That edge breaks the beginning of "Slow Right Hand" and they restart it after a few bars and it breaks out over our heads, falls in like orioles into bushes when it rains. The long flat room is a matchbox and it squeezes the music; the songs want to spread out more. This isn't a set list. I don't remember the order. I remember trying to find a place to hear better, "Orchids" with horns, "Michigan Girl" with Amy on cello, "The Eye You Lost in the Crusades." Finally I settle next to the speaker, and the room stays out of the way and the pain in my ear is maraschino masochism. "Pink and Sour" with its '40s big band harem themes begins and the floor erupts in dancing. This is the one the girls were waiting for, this spiked Shirley Temple, cologne at the nape. The song concludes and the dancers evaporate. I guess this is the one from the local college radio list, their evening apparently over. Califone's wasn't. Tim snaps a guitar string, lays it down. They reset. He comes out of the next song squeezing his head, first side and side, then hair and chin. He starts speaking about seminary school again, some Cardinal or priest, something in the woods, body of a young boy, hints of things we aren't supposed to see or know like some weird Franklin scandal action. They're almost Pentecostal now and everyone's nervous. Ben and Joe sit and look down at their skins and bones, Jim looks on concerned. Tim moves close to Alan and holds his face, starts talking about the priest, he's here in D.C. somewhere and they're failed priests and that body in the woods and they should turn him in. Alan looks like the drama mask that makes you think of Medea ripping at her breast. Real babydoll tears in Alan's eyes and the crowd on edge and time is nearly up, so Tim steps away and announces the last song. "Horoscope Amputation Honey" begins slow, keyboards, twang, a little noise, builds, breaks out into long legs of improvisation, twenty minutes or so. Alan joins in and more horns and they jam 20 minutes and end finally into a short song that's a prayer. And that's it. No encore. No one explains. The bar shuts down, kicks us out or upstairs after a few minutes.
Outside later, we say our farewells to Tim and Jim and Ben and Joe and it's warm. Some storm has passed. We walk into the DC morning. I owe Tim a whiskey.
Meme a whippa, meme a whippa (catching up)
1. I have to post these rules before I give you the facts.
2. Each player starts with eight random facts/habits about themselves.
3. People who are tagged need to write their own blog about their eight things and post these rules.
4. At the end of your blog, you need to choose eight people to get tagged and list their names. (You’re not the boss of me!)
5. Don’t forget to leave them a comment telling them they’re tagged, and to read your blog.
1. I can make my knuckle dance.
2. I enjoy low degrees of separation from many sports and entertainment figures because I've played pickup basketball with Les Connor (Oregon star, respected journeyman pro--long ago, in Berkeley), Joe Rose (Cal and Dolphins tight end), Tim McDonald (49ers d-back in Fresno--his elbow ruined my fine falsetto), and Rob Lowe.
3. Cleaning my office is considered "optional."
4. I used to watch scary movies as a child from behind the sea foam green Naugahyde footstool.
5. The most beautiful places I've been are in Nepal, Ireland, Utah, and Santa Barbara.
6. I used to be jealous of Kathy Helm at Woodrow Wilson Elementary because she could color in the lines and I could only dress up in women's clothing.
7. One day I will have to surrender my dream of making my 57 Benz run again.
8. I drink red wine with fish.
So, myspace friends and John G., go.
Tuesday, June 5, 2007
God's eyes are closed, just like yours: Califone in DC.
Their songs hit me in two opposing registers. So familiar. So strange. Early on, explaining it to people, I oversimplified it by calling it avant bluegrass. The two registers spiral around a palpable but invisible axis anchoring everything. Tim's hand-rolled voice and Jim's slide guitar and banjo power chords and Joe's tight snares and Ben's percussive inventions lull you like a summer afternoon at a family reunion in the park where they filmed Carnival of Souls. Lines drawn sharp like a cartoon memory (banjos, fiddles), but the ghosts of interference shadow everything, tense vivid dreams and unreconciled longings, accumulations of personal history, intimacy and terror, and once in awhile release in a pure rock burst, like a sigh's.
I briefly reviewed Roots and Crowns on Amazon, and it still feels pretty good:
If Joseph Cornell's boxes could sing they'd sound like this, narratives blown like an old transmission, parts clinking along the pavement, underwires pinging and cupping lasciviously, all sweet blues and sweeter decay. If you're familiar, Califone improves on their already remarkable range, lacing horns into the loops, pulling a gem out of Psychic TV's catalog with "The Orchids." If you're not familiar, it helps if you like the slow surprise of a junk drawer opening, scraps of paper scrawled in pencil, that bolt you need, that tiny photo of someone you used to know. The lyrics are poems, the songs sublime.
Discography
Friday, June 1, 2007
Aesthetically Disturbing
Wednesday, May 30, 2007
Valdosta Beaver Hunt
This is my house from the woods on my property, as I move toward the city-owned green belt through town. Today, woodpeckers knock and rattle dead and dying trees for bugs.
Looking into the woods from the path behind my house.
In these woods, where smoke from burning swamps seems less oppressive, water is rising into once dry areas despite the long drought. Maybe the ground is sinking or maybe rain from a tiny cloud falls on a sad cartoon man lost in the woods. Small trees had been cut down, wood chips flecking ground. I was enraged, wondering who could be wandering through the slim green slash through town by two-mile creek cutting down trees. Toothmarks grace some of the stumps, so I perform some environmental arithmetic. Beavers.Lunch?
I'd heard they were around, but this locale seemed improbably urban--good for the occasional raccoon, hawk, opossum, or pilieated woodpecker, but beavers? Around the margin of the expanding pond, two dams that confirmed recent activity.
Dam 1
Dam 2 (Harder to see, but the dam crosses the A about 2/3 of the way down)
Finally, I discovered evidence of the actual creatures.
The one- to two-feet deep pond, not deep enough for a lodge, sits above the deeper two-mile branch. Perhaps young beavers are exploring, or perhaps they're just creating an area friendly for feeding off the creek. Or perhaps they've been displaced due to the work on the emptied Mill Pond, into which the creek drains. I'll keep watching.
Monday, May 28, 2007
Graduating Ian, pt. 3
Graduation the next day was long, but the weather was outstanding, the stadium surrounded by green forested hills, the occasional raptor soaring between mountaintops and clouds. Three and a half hours to call out all the names and listen to the speeches and watch the green and blue and hide from the sun when I could. I've been to so many graduations it was all pretty ho-hum until Ian's name was called out and we all cheered and whistled. He couldn't hear us, of course, but he was happy with his friends and to have us there, and that made it all worth while. After everyone else left, Amy and I attended an afterparty briefly at a friend's house. Nice friends, banjo music, and good outdoor fare. After that it was decompression and a long day journey home. We stopped in Philly for a quick bistro lunch of chicken sandwiches and hit Indigo gallery on 3rd street, where Amy bought some gemstones and I bought a Mexican ceramic cerveza delivery truck with two skeletons.
Friday, May 25, 2007
Graduating Ian, pt. 2
Late in the afternoon, the museum presented a happy hour jazz concert in the atrium, but sensually overloaded, we headed out to walk beside the Schuykill River and trekked on to South Street where we saw the mosaic work of Isaiah Zagar and all the shops and restaurants and missed Andrew Bird at the Fillmore (sold out). We finally collapsed in a small Indian restaurant and snacked before we headed, exhausted, to our fine Motel 6 room across the river in Maple Shade, New Jersey, next to the apparently popular Elbow Room.
So, well-fed and cultured, we headed the next day to the Super 8 in Allentown on Airport Road, as close as we could get to Bethlehem and Lehigh. Allentown itself was uneventful, even drab, but we didn't give it much of a chance. The goal was to track down my son (thanks Elizabeth) and we did, dining at Sal's near the campus. Good pizza and garlic rolls, and a glass of Carlo Rossi Paisano is free if you want one (I passed), since it's one of many byob places around the campus (they can give it away, but they can't charge for it). Best of all was hanging out with Amy and Ian where he lives, which is why we came. It's weird to see your kids grown up, talking about plans for the future, maybe the Peace Corps. We were all silly together, and it was good.
Wednesday, May 23, 2007
Philadelphia
We went into La Locanda del Ghiottone on 3rd and sat and had a wonderful meal. The antipasto plate was fine, not extraordinary. Amy had chicken, nicely done and wine-sauced and capered with a side of roast potatoes. I had a revelatory saffron seafood risotto in a tomato sauce that, amazingly, didn't overwhelm the saffron. The seafood (clams, mussels, shrimp, calamare) was tender and the generous portion they served me evaporated. Purists might complain that the rice wasn't al dente enough, but the flavors were so wonderful and balanced, it was a good time not to be a puritan (though Puritans would be happy we didn't drink wine, because it's byob and we were unprepared). The restaurant is apparently controversial, because, looking through reviews, mostly outstanding, it appears that if you don't quite get it, they're happy to chase you out. It's Philly don't-fuck-around elegant. The room is crowded and a little loud, but it is romantic and the staff has personality. And I can still taste that saffron. Next time, I'll show up early with a nice Barolo.
Wednesday, May 16, 2007
Georgia Fire
We'll get in our car and drive into it, and end up in Philadephia where nothing's burning, exactly, though Philly fans are starting to smolder. We'll get a slice at Lorenzo's and avoid the famous cheesesteak stands and then make our way upstate for a city that burned itself up and out long ago in fires of industry and capital, where my son's on the verge of, the fulcrum of, becoming an engineer, the future ahead for all of us obscured by smoke and the fire we're turning the world into.
Sunday, May 13, 2007
Fresh Homemade Sausage (Italian, Thai)
Italian Sausage
2 pounds fresh pork sprinkled with fresh ground sea salt and red wine
10 cloves garlic
10 large basil leaves
Fistful of fennel seeds
tbsp fresh rosemary
one fresh green or red chile or dried red pepper
four sprigs of fresh oregano
tbsp olive oil
Chop the above ingredients into a course mix. Feed mix and meat into grinder, alternating to create a basic sausage. Afterward, add tbsp of paprika and red pepper flakes, black pepper, or cayenne pepper to taste. Blend thoroughly. Let rest in refrigerator for a day before cooking. Good on the grill or on pizza.
Thai Sausage
2 pounds pork, sprinkled lightly with lime juice and fish sauce
6 cloves garlic
Tbsp lemon grass
3/4 to 1 sq inch fresh ginger
tsp galangal powder
3 or 4 fresh thai green chili peppers
2 scallions (white heads only)
Tsp (or more, to taste) ground coriander
Fresh coriander leaves (cilantro) or basil to taste, optional
Chop the above ingredients into a course mix. Feed mix and meat into grinder, alternating to create the basic sausage. Add Fresh ground white or black pepper, red pepper flakes, or cayenne pepper to taste and blend thoroughly. Sweeten with 1/4 cup orange/lime juice blend and/or tamarind juice to taste if you want a sweeter sausage. Make sausages into patties or stuff into casings, or make into meatballs for use in Thai noodle or curry dishes. Great on the grill.
Saturday, May 12, 2007
Can You Scare Me Now?
Please understand that I attended a local session conducted by the DOJ intended to put us at ease about the Patriot Act when Ashcroft was AG. Noticing some disturbing passive voice on a
Tuesday, May 8, 2007
Turley and Everwine and Hannah and her Sister, Part Last
I took the 101 to Paso Robles, where my mother is from and where my grandparents farmed almonds, zinfandel, and vegetables . My uncle, proprietor of Richard Sauret Vineyards, still lives there and grows grapes for Rosenblum and other wineries (congrats on inclusion in Wine Spectator's top 100 for that yummy 2003, by the way), so making a quick wine stop seemed appropriate. Since I've always been a big fan of Turley Zins (or a fan of big Turley Zins), I made that my stop of choice despite the temptations of many new wineries along the 101/41 corridor. A quick turn onto Vineyard Road in Templeton led me to the redesigned winery and tasting room (formerly Pesenti winery) and I tasted several new releases, including the powerful Ueberroth and their version of the famed Dusi vineyard. Very good wines, all, so I ordered half a case to be sent to me (isn't it Friday yet?), some I can drink soon (Old Vines) and some to hold, the Moore Earthquake--fond memories of sharing one bottle, 17.1% natural alcohol, with Kurt Brown and David Oliveira at the Paradise Grill in Santa Barbara--and a Haynes Vineyard, their flagship zin. Some don't like Turley style wines, especially James Laube, but I find the fruit extraction more than compensates for the alcohol. Generally, the nose is dense fruit with just a hint of briar (moreso in the central coast offerings) and spices more or less complicate it nicely or amazingly, depending on the source. They're balanced, portlike wines without the sweetness, and I can only compare them to Amarones in a great year, with roasted fruit flavors and enough acidity to make it friendly to strongly flavored foods or even with deserts. They make a port, but it wasn't available for tasting.
I arrived in the afternoon at the Williams "Estate" in Fresno, a green 50s era tract home in a lower middleclass neighborhood two blocks from William Saroyan's former pair of Fresno houses. My nieces, Haley and Hannah, were playing in the wading pool, while my parents fiddled in the garden. Dad's gone seco-palm crazy, and sprouting fronds everywhere make the yard an eye and balloon hazzard, but it was nice to be home and to see my parents in good health. Dad has lost 20 pounds and Mom especially looks much younger than her 67 years. It was also good to catch up with the kids' mom, my sister Kelly, and Chase, her oldest son.
The next day, my full day in Fresno, I planned to visit the homes of various poets I know there. Phil Levine was in New York, but I wanted to catch up with Peter Everwine, Connie and John Hales, Glover Davis, Charles Hanzlicek, Jon Vineberg and Dixie Salazar (David O. and I visited Jon and Dixie last year), and I made a contact list and headed out. I made it to Peter's and just never left. It was great to see one of my favorite teachers and one of our finest poets, share a couple glasses of zin, and hang out, talking about everything from mutual friends mentioned already, poets we liked (especially Bob Hicok, whom Peter likened to Bill Matthews in terms of his pure love of language), prose poetry, the book festival, and our lives. I enjoyed his classes because he was so efficient and yet genial. He cut through everything in a workshop or class and always said something that was both surprising and luminous. He'd pull us out of our cloud-of-dust verbal scrum and say, "Hey, look up, here." Then he'd show us. I don't think I ever would have pursued poetry if it weren't for him. I first met him through his work, when Thom Gunn at Cal pulled out one of his poems, "Desire," to show us what a great contemporary poem was, then later when I met him in Fresno as I pursued a teaching credential, showed him a little poem, and heard him tell me to my surprise that it was good enough for me to begin serious study. (I can't emphasize enough the word begin in the previous sentence.) It still took me several years to get into the program, since I had a young family and a new career as a teacher. But his encouragement helped many of us take the art seriously even as many of us were intimidated by his inimitable, underappreciated talent. To whit, one of my favorite poems of all time, currently available in From the Meadow: New and Selected Poems (Pitt Poetry Series, 2004):
How It Is
This is how it is --
One turns away
and walks out into the evening.
There is a white horse on the prairie, or a river
that slips away among dark rocks.
One speaks, or is about to speak,
not that it matters.
What matters is this --
It is evening.
I have been away a long time.
Something is singing in the grass.
Peter Everwine
Monday, May 7, 2007
Who isn't tired of the Pinot Envy pun? CA, pt. III
After reacquainting myself with the sea air and the waves, I walked to Madeleine and Bob's condo to say hello. They didn't know I was coming, so it was delightful to surprise Madeleine (Bob, alas, was at UCLA) and Sophie and their guests, Lily and Lily's grandmother. When two two-year-olds are around, they pretty much determine the course of human events, so we sat around, played, read parts of books, talked between lulls in the perfect chaos. It was fun and especially wonderful to see Madeleine so happy.
Later, we all headed to dine with dear friends George and Amy, who graciously put me up for the night and who hosted an impromptu gathering in my honor. The evening evolved into a study of California's pinot terroirs (which I guess makes us homegrown terroirists [insert bad pun drumbeat here]), beginning with a 2002 Williams-Selyem Rocchioli Riverblock (rich nose, evolving complexity; opening with this is definitly going all in). Friends dropped in and we munched pizza and caught up. Patrick was looking as dapper as ever, and he still maintains his intellectual ferocity. Mookie and Nigel, the house greyhounds, towered over Sophie, who ran around the yard with them anyway. Chryss (one of those Santa Barbara poets) and her new husband Dan came by as well, and we talked about music and the woes at the News Press and kids and people and events and anything, all the while powering through several more bottles of pinot and three pizzas. George kept it lively, spinning cd's from one of the best music collections in the west (Eric Bachmann and Yo La Tengo covering anyone, among several fine others). The second bottle, the 2000 Dehlinger Octagon, was my favorite of the evening, perfectly aged (like all of us, I hope?), laser fruit and spices and a wonderful finish with a hint of smoke. A 2003 Longoria Bien Nacido, one of my favorites from my time there, followed that with its rich, ripe central coast earthiness. There was a 2004 Brego pinot from Anderson Valley that explored the youthful strawberry side of the pinot spectrum. I might have missed one, but by the third bottle, one sips more than one takes mental notes. All in all, it was a wonderful evening--what we live for, good friends, food, wine, an evening that tailed off into quiet comfort and restful warmth.
The only thing missing from it all was my Amy, but here's a toast to you, sweetness. Cheers.
(Thanks for the help on the winelist, George.) Fresno tomorrow, I promise.
Thursday, May 3, 2007
What begins in Pixley and ends in Zin
Monday morning I checked out and drove to Lompoc to see my friend Christopher Buckley, who'd just received a Guggenheim. We met at a wonderful Laotian/Thai restaurant, Suvann's, which serves all the usual dishes, but they make and serve a homemade pork and lemon grass sausage that's wonderful spicy and slightly sweet, like your lover's earlobe. We ate and talked Poetolitics, then went to his backyard to continue and philosophize over a delightful and inexpensive wine from Pixley, of all places. The marketing writing on the back was effusive, praising the "breath-taking central valley" (I might have used the term "choking," but then again I wouldn't have got the job) and the winery's environmentally friendly practices (When have you not thought of Pixley and environmentally friendly in the same sentence?). Not bad for a two-buck cab franc from an outlet store--a little roasted like old-style zin, but enough clove on the palate to make things interesting. Chris was great and I we talked for several hours about everything from cats to catharsis. My only regret was that Nadia, Chris' wife, was at work. Hummingbirds sipped sugar water. The sky was blue, white where the clouds smeared.
Tomorrow I'm journeying home to sweet Amy, but this trip will continue to Monday night in SB and on to Turley and Fresno and family and dear, dear Peter Everwine, when I'm finally, finally home.
Tuesday, May 1, 2007
On the Road, PT 1 LA
The book festival brought writers and readers from all over the southland, and that it continues to feature a venue devoted entirely to poetry is what keeps me going back every year. Highlights this year included David St. John, Mark Doty, Erin Belieu, a tribute to Bert Meyers, Charles Harper Webb, Jane Miller and Jane Mead, old friend Richard Beban, and many others. The only problem with working the corner is that it makes attending other events difficult. I missed out on a pre-teen fantasy when I missed Tina Louise's reading of her new children's book, though, I was always a Mary Ann (Dawn Wells) fan, to be honest. On the plus side, I missed out on Christopher Hitchens' boorish tantrums. Apparently, he calls security if someone asks a question he doesn't like. He must have missed the first amendment question on his citizenship test. At any rate, the poetry winner, Frederick Seidel wasn't there, so we pressed on. The lack of winners at the award ceremony perhaps made the after celebration a bit more muted, but since I was with my dear, wise friend Margaret, I had a delightful evening; she helps me see through my self-blindness. My love, Amy, adores her as well (We missed you, Amy). Friend and fellow poet and emcee Elena Karina Byrne (who should have been reading) was an ever-smiling spirit-being organizing the tent area, and Noah Blaustein dropped in to help us find good restaurants to eat and dine and tell stories in. His wife, Cristina, is lovely as ever, and I finally met their new daughter, Siena, happy and intelligent well beyond her 10 months. Paul Willis, Phil Taggart, and Jackson Wheeler, all old friends, also dropped in.
In LA, I stayed in the Tradewind Adventurer's motel in Inglewood on Century Blvd, near Hollywood Park. Strange place to be in. Jets pour noise over, white noise syrup, but the courtyard was peaceful otherwise and filled with travelers, many backpackers from Europe, so I enjoyed the international atmosphere. Not the cleanest place, but if you've backpacked Europe and Asia, it'll do, it's cheap, and it's near the 405. The nearby Indian restaurant on Century and La Brea boasts at its grand opening that it serves the best Indian cuisine in LA. It doesn't, but it was fine; it's not often that I find chicken makhani on a lunch buffet, and the naan was served fresh, crispy, and hot.
Tomorrow, Santa Barbara, Wine, and Fresno in the "breath-taking central valley."